カルチャー応援型投稿企画「HAYARE!!」
脚本・演出を担当した舞台「ロマンス」で、「第７０回 岸田國士戯曲賞」を受賞した蓮見さん。
授賞式での発言を受けて、今回は、リスナーさんから「もっと流行ってほしいモノ」を募集。リスナーの、愛憎入り混じった分析や願望を紹介！
Learn more about your ad choices. Visit podcastchoices.com/adchoices
More from アフター6ジャンクション 2
脚本・演出を担当した舞台「ロマンス」で、「第７０回 岸田國士戯曲賞」を受賞した蓮見さん。
授賞式での発言を受けて、今回は、リスナーさんから「もっと流行ってほしいモノ」を募集。リスナーの、愛憎入り混じった分析や願望を紹介！
Learn more about your ad choices. Visit podcastchoices.com/adchoices
A podcast does not come with subtitles, so podqast makes them: it listens to the episode itself, a few minutes at a time, and only around where you are listening. Nothing is done in advance, which is why the bar says how much of the episode you can read so far.
Each stretch is heard by a speech model, cut into lines at the pauses and full stops, and translated in one go — what was said on top, English under it, and the two lit together piece by piece as they are spoken.
It is a machine doing it, so it is wrong sometimes. What was said is always the line on top.